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One of the things you quickly realize about being a fiber person is that you tend to accumulate yarn. I’m not really sure how it happens (my tubes of Array are reproducing overnight), but I doubt I’m alone in having a few mystery cones on my shelves.
If you have unidentified cones that were gifted, thrifted, or purchased years ago, a simple burn test can help you identify the fiber. Burning fiber can be intimidating, but it doesn’t have to be. In fact, it can be a safe and effective tool to identify what’s in your stash. (It’s also kind of fun once you get used to it.)
In order to do a burn test effectively, gather the supplies you’ll need and set yourself up in a well-ventilated area that isn’t breezy. I prefer doing this with the windows open next to my kitchen sink for an added sense of security. Also, if you have long hair, I recommend pulling it back. As with any time you’re playing with fire, there is inherent risk. Be sure you set up a safe environment.
Before you get started, familiarize yourself with the properties you’ll be looking for while your yarn is burning.
There are three main characteristics to pay attention to during the burn test.
Animal-based fibers: These fibers tend to burn slowly and curl away from the flame. They often self-extinguish and create black beads that you can easily crush into black ash. Their odor is quite strong, reminiscent of burned hair and animals.
Plant-based fibers: These fibers burn more quickly and brightly. After they finish, they leave behind a lighter, gray ash. The smell is not as strong as animal fibers, similar to burnt paper.
Synthetic fibers: These fibers burn bright and fast, with black smoke. They give off a chemical smell and produce hard beads instead of ash that don’t crush but feel like a melted bead.
Flame: Burns slowly, curls away from the flame, self-extinguishes
Odor: Very strong odor, similar to burnt hair, smells of animal
Ash: Ends in a bead easily crushed to black powder
Flame: Burns slowly, self-extinguishes
Odor: Smells similar to burnt hair, not as strong as wool
Ash: Ends in a bead easily crushed to black powder
Flame: Scorches, burns with a slow low flame, and self-extinguishes quickly
Odor: Smells of burnt hair, but quite mild
Ash: Ends in a bead easily crushed to black powder
Flame: Ignites quickly and burns brightly before self-extinguishing
Odor: Smells of burnt hair and animal, but not as strong as wool
Ash: Ends in a bead easily crushed to black powder
Flame: Lights quickly and burns brightly, smokes, and then smolders
Odor: Smells of burnt paper and a bit acrid
Ash: Leaves fine dark grey ash
Flame: Lights easily, burns more slowly
Odor: Mild burnt paper smell
Ash: Leaves very fine light grey ash
Flame: Lights easily, burns slowly
Odor: Mild burnt paper smell
Ash: Clear mix of dark and light grey ash
Flame: Lights quickly and burns very bright and fast
Odor: Smells of paper, but not as strongly as cotton
Ash: Black ash
Flame: Burns very fast and bright and melts with black smoke
Odor: Smells of chemicals
Ash: Hard, dark beads
Doing a burn test has the added benefit of helping you get to know the fiber more intimately. The better you know the properties of different fibers, the more knowledge you have when planning projects. This will give you even more confidence when designing your own textiles.
In fact, I think this is a valuable exercise to practice with yarn you already know. By practicing with yarn you’re familiar with, you’ll learn how the fiber smells and behaves and have more knowledge for that mystery cone.
Here's a downloadable chart you can keep in your studio in case you ever need to do your own burn test.
Kristin Crane began her career designing jacquard fabrics for the home furnishings industry with mills in the United States and China. Today she writes about pattern and textile design for Design Pool from her home studio in Providence, Rhode Island. Kristin weaves on a Macomber loom, a Mirrix tapestry loom, and sometimes on the go with a tiny Hello Loom. She loves to travel and is fascinated with what cloth tells us about a place and the people who live there. When she’s not in her studio, she can be found exploring the beautiful Rhode Island coastline and is rarely seen without a scarf.