Weave Structures

In a craft that tends to be very structured and rule-oriented, it can be wildly refreshing to play with patterns and see what other forms the weaver can create. In this blog post, Kate Koconis explores how she uses an Overshot weaving structure to create experimental, intuitive weavings. 

Name Drafting is a method of incorporating a name or phrase into a weaving pattern such that it creates a unique graphic. There are many ways to name-draft, all of which serve as a tool to assist the weaver in the design process and make the draft uniquely theirs. In this blog post, Penny Lacroix provides step-by-step instructions for how she has used Name Drafting in her designs.

Perpendicular intersections of warp and weft mean that Checks, Plaids, and any sort of crossing-stripes are well-suited to weaving. Here is a little primer on some popular variations and how to tell the differences.

Inlay is a weaving technique that utilizes a base (or ground/tabby) weft and an inlay (or supplemental) weft. The base weft travels from selvedge to selvedge, while the inlay weft travels only where the weaver desires. This creates unique designs that draw the viewer's attention to specific areas of the cloth. In this blog post, we will explore a few of the many options available for weaving Inlay.

This article is the third and final installment in a series about lace weaves. Different lace weaving techniques can create wonderful effects, from open and airy sections providing the illusion of shapes and curves, to toothsome textures. In this blog, learn about the unique attributes of Huck and Spot Bronson lace weaves. 

This article is part two in a series about lace weaves — a magical way of interlacing threads and using skips and floats to create shape, pattern, and space. In this blog, learn about Bronson and Swedish Lace weaves, and things to consider when choosing which style may be best suited to your project.

Weaving is full of many magical transformations of yarn, color, and structure. One of the most exciting transformations that can be done with plain string and four shafts has to be lace weaves. In this blog series, we’ll examine several of the more common loom-controlled lace weaves.

Deflection in weaving happens when (intentional) floats curve around areas of plain weave, and doubleweave is the weaving of two layers of fabric simultaneously. Combining the curves of deflection and the layers of doubleweave creates deflected doubleweave, a common technique in shaft-loom weaving. But with two heddles and, in some cases, two pick-up sticks, the humble rigid heddle loom can also create this stunning structure.     

Learn the basics of Monk's Belt, Crackle Weave, Summer and Winter, and Halvdräll. Like overshot, these patterns have a tabby ground and a pattern weft, but the threading and tie-up differ from overshot, and each produces a unique effect.

Overshot textiles have a distinctive construction made up of both a plain weave and pattern layer. Requiring two shuttles and at least four shafts, overshot textiles are built using two passes: one weaves a tabby layer and the other weaves the pattern layer, which overshoots or floats, above.

This post is the second in a series introducing you to common weaving structures. You’ll find many patterns in Gist’s pattern collection that feature twill structures, and, like plain weave, it’s another foundation weave that has a lifetime of new and exciting combinations to explore.